marcus king band

Versatile Krasno Arrives at New Mountain AVL Ready to Groove

via Ashvegas

Eric Krasno is not who you think he is. Pin him as jazz musician and he will shred some rock and roll. Call him a rocker and he will funk your face off. Ask him for the funk and he might just play you some smooth and sassy R&B.

More than two-decades into a wildly successful career as a musician, a writer, a producer, and now a singer, Krasno continues to impress. His newest work will be on display at New Mountain this Wednesday, Feb. 1.

Eric Krasno Band with The Marcus King Band
New Mountain - Asheville - February 1, 2017

“I like keeping it fresh,” he tells me. “A lot of people expect you to do what they have heard you do before, but I want to keep trying new things.”

His 2016 release, “Blood From a Stone,” marks one more notch in Krasno’s versatile and prolific catalog, which started with his first album, “Reminisce,” a true jazz album. He’d been studying and playing music for several years before being introduced to jazz himself.

“There was Stevie Wonder and Marvin Gaye,” Krasno explains, “and Wes Montgomery and Herbie (Hancock) and Miles (Davis) but that was later in my high school and college years when I really got into that.”

Early on he was influenced by the harmonies of bands like Crosby, Stills, and Nash and The Beatles. It was Jimmy Hendrix and Led Zeppelin when he was a pre-teen that got him into the electric guitar. Those earlier influences shine through on “Blood From a Stone” far more than the jazzier standards some may have anticipated.

That return to roots, coupled with the recording techniques that were used on this album, gives the songs a more intimate, personal feel. Much of the album was recorded in a barn in Maine where Krasno was writing the music with friends. At the time, they had no idea the tracks they were recording would be the basis of the new record.

“The coolest thing about it was not knowing what it was going to be. We were writing and recording the songs there and getting these sounds in a place they had never been made before. Borrowing gear, plugging this into that. It was a lot of fun. It wasn’t like we were in a studio spending money every second,” Krasno says.

The result is a warm, raw, not-too-polished sound that fits perfectly with the overall feel of the album. The love- and hate-themed songs and the crunched-down guitar early on are the perfect match for the production. Further along, the warmth of the recording lends depth and intimacy to the groovier, more R&B influenced numbers.

Still, whether performing with Lettuce or Soulive or Phil and Friends, one thing that has always been a staple of Krasno’s live performances is improvisation. Despite the more traditional structure of many of the songs on “Blood from a Stone,” he assures me that live it will be something completely different.

“We stretch it out a lot more live,” he says. “ We still play the songs but we definitely take them into a new realm and stretch them out. My dream is to come out with the band, ready with all the vocals and harmonies, and then expand and improvise with them.”

In addition to Krasno’s regular band, and with the Marcus King Band opening, it’s almost assured that the two musicians, who have over the last few months gotten to know each other personally, will be playing together at some point in the evening. With so much talent and dedication on stage, it promises to be worth every penny of the price of admission.

EKB 2017 Tour

 
 

Eric Krasno Band are hitting the road again this Winter. We'll be doing a run of shows with our good friends, The Marcus King Band, as well as additional headline shows and a stop at the Ardmore Music Hall with The London Souls. Tickets for all shows are on sale now. Looking forward to seeing you on the road!

Jan 24 at Portland House of Music in Portland, ME | Tickets*
Jan 25 at Brighton Music Hall in Boston, MA | Tickets*
Jan 26 at Club Metronome in Burlington, VT | Tickets*
Jan 27 at The Acoustic in Bridgeport, CT | Tickets*
Jan 28 at Gramercy Theatre in New York, NY | Tickets*
Jan 29 at The Hamilton in Washington, DC | Tickets*
Jan 31 at The Pour House in Charleston, SC | Tickets*
Feb 01 at New Mountain in Asheville, NC | Tickets*
Feb 02 at Broadberry in Richmond, VA | Tickets*
Feb 03 at Shaka’s in Virginia Beach, VA | Tickets*
Feb 04 at Ardmore Music Hal in Ardmore, PA | Tickets+
Feb 10 at Skyway Theatre in Minneapolis, MN | Tickets
Mar 17 at 3S Artspace in Portsmouth, NH | Tickets
Mar 18 at Arch Street Tavern in Hartford, CT | Tickets

*with The Marcus King Band
+with The London Souls

Summer Camp Music Festival

via JamBase.com

The 2017 installment of Summer Camp Music Festival will return to its traditional home of Three Sisters Park in Chillicothe, Illinois over Memorial Day Weekend, May 26 – 28. Today, organizers have announced a jam-packed initial lineup of acts set to perform in addition to three days of moe. and Umphrey’s McGee.

Phish guitarist Trey Anastasio will bring the Trey Anastasio Band back to Summer Camp in 2017, where Phish bassist Mike Gordon will also be on hand with his solo band. Les Claypool returns as Primus and The Claypool Lennon Delirium are aboard for the festival as are Run The Jewels, EOTO, Destructo, The Floozies, Keller Williams KWahtro, Manic Focus, Nahko & Medicine For The People, The Wood Brothers, Twiddle, Eric Krasno Band, The Marcus King Band and many more. Stay tuned for additional lineup announcements.

Elmore Magazine Live Review - Brooklyn Bowl

Eric Krasno regularly takes up residency at the Brooklyn Bowl. His annual Soulive shows have become highly anticipated events, with friends like Luther Dickinson, Susan Tedeschi and Robert Randolph joining him on his home stage. Williamsburg’s twenty-somethings have embraced Krasno’s eclectic mix of rock, funk and jazz served up in the old-fashioned jam-band style their parents rocked to a generation or more ago.

It was therefore only fitting that Krasno and his new lineup were the headliners chosen to celebrate the seventh anniversary of the Brooklyn Bowl’s quirky blend of music and bowling in a lively beer hall atmosphere. In addition, Krasno had something of his own to celebrate: the release of a new album, Blood From A Stone, a fine effort that features the guitarist stepping out on vocals.

As if that weren’t enough for music fans to brave the TSA-like security on a steamy July night, opening for Krasno was the Marcus King Band, an eponymous six-piece powerhouse fronted by a 20-year-old phenom, to heat things up even further with a scorching set that took most of the audience by surprise. Hailing from Greenville, South Carolina, Marcus King is a protégé of the esteemed Warren Haynes and looks and plays very much like his mentor. King’s bluesy Southern rock is an updated version of the genre’s finest traditions. The band’s first album, Soul Insight, was released last year on Haynes’s Evil Teen label, and if the response from discerning Brooklynites is any measure, Marcus King is a talent to be reckoned with for years to come.

Krasno then took the stage with an air-tight band featuring Danny Mayer on guitar, Alex Chakour on bass, DeShawn Alexander on keys, Eric Kalb on drums and Mary Corso on vocals and tambourine. Jump starting the set with some playful jamming, Krasno stepped up and handled the lead vocals impressively on “Torture,” “Jezebel,” “Waiting On Your Love” and other songs from Blood From A Stone. The album’s only instrumental, “Curse Lifter,” was a dual-guitar showcase for Krasno and Danny Mayer along with DeShawn Alexander’s keyboards. Marcus King returned to sing and shred on the blues standard, “Sweet Little Angel,” and was warmly embraced by Krasno and the crowd.

From start to finish it was a four-hour show of forward-facing music and superb musicianship. Adding such fine new originals and strong vocals to his existing strengths as a six-string master, Eric Krasno is putting the progressive rock world on notice that he’s taking his game to a new level. He’ll be touring behind the new album all summer and into the fall, so you’ll have plenty of opportunities to see for yourself.

-Peter Jurew, Elmore Magazine

A Festive Celebration with Eric Krasno Band

via Brooklyn Bowl

I wonder if anyone has the complete count of all the times Eric Krasno’s been on the Brooklyn Bowl stage — even a ballpark number would probably be an underestimation. So closely linked is Kraz with the Bowl’s now seven-year history that having him headline its anniversary party is almost a foregone conclusion. And to be part of these packed festivities — decorations, balloon drop and all — was to celebrate not only the venue, but also a new chapter for Krasno: a groovy-as-hell new band that draws on many of the sounds and styles for which he’s celebrated and places them in a new context.

Krasno is a world-class guitarist and a respectable singer, and the Eric Krasno Band celebrates both with ample helpings of blues, soul, R&B, and jazz fusion. Overall, the sounds from his debut album, Blood from a Stone, aren’t far afield from Soulive, Lettuce or any of his many other associations, but they sound of a piece with one another. Krasno doesn’t need to reject what’s core to his more famous bands to carve out an identity here — the consistency of the music and the choice in co-conspirators do that superbly. And while it’s clear whose band it is, he’s just as happy to lean back into his ensemble, playing off guitar foil Danny Mayer, riding a hot, malleable pocket from bassist Alex Chakour and drummer Eric Kalb, harmonizing and doing some good-natured egging with singer Mary Corso, or turning whole sections of jam space over to DeShawn Alexander, who had an especially strong night.

I wonder if anyone has the complete count of all the times Eric Krasno’s been on the Brooklyn Bowl stage — even a ballpark number would probably be an underestimation. So closely linked is Kraz with the Bowl’s now seven-year history that having him headline its anniversary party is almost a foregone conclusion. And to be part of these packed festivities — decorations, balloon drop and all — was to celebrate not only the venue, but also a new chapter for Krasno: a groovy-as-hell new band that draws on many of the sounds and styles for which he’s celebrated and places them in a new context.

Krasno is a world-class guitarist and a respectable singer, and the Eric Krasno Band celebrates both with ample helpings of blues, soul, R&B, and jazz fusion. Overall, the sounds from his debut album, Blood from a Stone, aren’t far afield from Soulive, Lettuce or any of his many other associations, but they sound of a piece with one another. Krasno doesn’t need to reject what’s core to his more famous bands to carve out an identity here — the consistency of the music and the choice in co-conspirators do that superbly. And while it’s clear whose band it is, he’s just as happy to lean back into his ensemble, playing off guitar foil Danny Mayer, riding a hot, malleable pocket from bassist Alex Chakour and drummer Eric Kalb, harmonizing and doing some good-natured egging with singer Mary Corso, or turning whole sections of jam space over to DeShawn Alexander, who had an especially strong night.

The Blood material fleshed out most of the two-hour headlining set: world-weary soul in “Jezebel” and “Torture,” Allman Brothers–esque jazz-rock in “Curse Lifter” (which on the album, Krasno noted, features Derek Trucks), roiling R&B and steamy soul in “On the Rise.” You could hear many of Krasno’s influences as well as some of the more recent sonic palettes he’s been painting with, from Hendrix to George Benson, Led Zeppelin to the Grateful Dead. And there was marvelous interplay with some inevitable special guests: old pal Nigel Hall on “Unconditional Love,” always-welcome phenom Brandon “Taz” Niederauer up for Hendrix’s “Manic Depression,” and Marcus King — who’d played a furiously soulful set with his own band to open the night — laying waste to “Sweet Little Angel” and an exchange of guitar conversation that both sparked and smoldered. Hot night in the city and hotter night inside the Bowl, the way a summer party should be.  —Chad Berndtson | @Cberndtson