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Eric Krasno, Reed Mathis, Todd Stoops & Jay Lane Team Up For Funky Dead Set At Brooklyn Comes Alive

 
 

via Live For Live Music

Brooklyn Comes Alive recently announced its massive artist lineup, with over 100 artists slated to perform 35+ sets across two days in the heart of Williamsburg, Brooklyn. This year, the event is expanding to two days, September 23rd and 24th, and will take over three of Brooklyn’s premier venues, all within a 10-minute walking radius. Fans’ imaginations have been running wild dreaming up what band lineups may be formed from the extensive roster of musicians. The guessing game is always one of the most fun parts of the Brooklyn Comes Alive experience, but today, we’re ready to roll out some more surprises.

Following the previous announcements of The Road Goes On Forever: Celebrating The Music Of The Allman Brothers Band, A Tribute To Jamiroquai, Eric Krasno & Friends, moe.queous, and a tribute to Green Day’s Dookie, Brooklyn Comes Alive has announced that Reed Mathis, Todd Stoops, and Jay Lane of Electric Beethoven will team up with guitar hero Eric Krasno to form a funky Grateful Dead tribute project dubbed Rooster Conspiracy.

Rooster Conspiracy was born from Grateful Dead drummer Bill Kreutzmann‘s good intentions and celebratory spirit during the first few days of 2017. Having just rung in the new year in a friend’s backyard in Hawaii, with a band that included his Billy & the Kids bandmate Reed Mathis, and Mathis’ Electric Beethoven bandmate Todd Stoops, Kreutzmann was in the mood to keep jamming. When he heard that guitarist Eric Krasno just arrived on his little island of Kauai, he invited the guitarist out to join in and told Stoops and Mathis to stick around. They spent the better part of New Year’s Day casually jamming just for the fun of it. The following evening, Kreutzmann arranged for a little surprise luau at his house. He had instruments set up in his garage ready to go, so the four jammed again, this time going into unrehearsed songs plucked mostly from the Grateful Dead catalog. They performed the songs in a funky style that showcased Kreutzmann’s signature shuffle, which locked in with Krasno’s jazz-club funk, Mathis’ constant drive for creation, and Stoops’ kinetic approach to the keyboards.

Having ushered in the new year in style after cleansing their palate of the sour taste left by a rocky 2016, the “Bill’s Garage” jam felt like a purification ceremony that opened up pathways for the new year. In nod to both the time–(the Chinese “Year of the Rooster” was just about to begin) and the place (Kauai, an island with wild roosters everywhere) of the catalyzing jam session, the four new jamming buddies decided on the name “Rooster Conspiracy.”

While Kreutzmann can’t make it to New York for Brooklyn Comes Alive, the rest of the guys wanted to bring their Dead-funk 2017 jams to Williamsburg, so they tapped Jay Lane (Ratdog, Primus) for the highly anticipated first-ever East Coast edition of the Rooster Conspiracy. It’s one-quarter Soulive, half Golden Gate Wingmen, three-quarters Electric Beethoven, and 100% funk-driven Grateful Dead-inspired meditations and dance therapies–making for a set of music you surely won’t want to miss!

Watch Eric Krasno’s Out-Of-This-World New Video For “Curse Lifter” Featuring Derek Trucks [Premiere]

Soulful guitarist Eric Krasno has released a fresh new music video from his debut solo record, Blood From A Stone. The video features the song “Curse Lifter”, the lone instrumental track from Krasno’s album, and it features his good friend, the inimitable Derek Trucks, on guitar.

Krasno had this to say about the new video: “I’m excited to share this psychedelic video for ‘Curse Lifter.’ The animation takes you through an abstract journey that I thought fit well with the track. I was excited to have Derek Trucks join me on this tune. He is close friend and one of my absolute favorite guitar players.”The animation only helps bring this exciting track to life, matching its guitar-soaked tones to psychedelic imagery.

Kraz is currently preparing to hit the road on a lengthy fall tour with his Eric Krasno Band, where he’ll play a number of dates with Doyle Bramhall II, The London Souls, and keyboard virtuoso Marco Benevento. “I’m really looking forward to the fall tour with EKB,” said Krasno. “The band is gelling right now and the new songs are really expanding as we play more and more shows. Being on the road with Marco Benevento’s band will be a blast! We are old friends, so I see a lot of cool collaborations happening.”

It should be an exciting couple of months for Krasno, so don’t miss him and his band on the road this fall! You can see Krasno’s tour schedule below, and be sure to visit his website for more information.

Eric Krasno Band Tour Dates

October 7 – San Francisco, CA – Brick & Mortar
October 8 – San Rafael, CA – Terrapin Crossroads ##
October 9 – San Rafael, CA – Terrapin Crossroads ##
October 18 – Richmond, VA – The Broadberry *
October 19 – Raleigh, NC – Lincoln Theatre *
October 20 – Atlanta, GA – Terminal West *
October 21 – Asheville, NC – New Mountain *
October 22 – Charleston, SC – Pour House *
October 27 – Cincinnati, OH – Live from the Ludlow
October 28 – Columbus, OH – Woodlands Tavern
October 29 – Chicago, IL – Martyrs **
November 1 – Annapolis, MD – Rams Head ^
November 2 – Washington, DC – Hamilton ^
November 3 – Asbury Park, NJ – Stone Pony
November 4 – Ardmore, PA – Ardmore Music Hall ^
November 5 – Hartford, CT – Arch Street Tavern
November 18 – Austin, TX – Antone’s +
November 19 – Austin, TX – Antone’s +
November 20 – Houston, TX – Warehouse Live +

## w/ Phil Lesh
*with Marco Benevento
**with The London Souls
^with Doyle Bramhall II
+with Dumpstaphunk

Eric Krasno Takes His Music In New Directions On 'Blood From A Stone' [Live For Live Music Review]

Grammy-award winning guitarist Eric Krasno (Soulive/Lettuce) has unveiled a tremendous solo offering in Blood From a Stone, a significant departure from the sound that fans have come to know over his nearly two decades making music. Released on his own Feel Music Group imprint, the new record finds Krasno exploring various blends of pop-song craftsmanship dipped in bluesy psychedelia, thundering drums, and an analog vibe that courses through its vintage veins. Most surprisingly, it is not Krasno's legendary guitar prowess that takes center stage, but instead his voice; Krasno sings lead on nearly every song on the record, and the results are downright staggering. 

As one-third of NYC jazz-hop legends Soulive, a founding member of funk behemoth Lettuce, an in-demand studio producer (Krasno has produced records for everyone from Aaron Neville to The London Souls to Nigel Hall), celebrated hip-hop producer (Fyre Dept. with Adam Deitch), and also logging time as touring bassist with Tedeschi Trucks Band, the soft-spoken guitarist has been in the game for what seems like forever. More recently, he has become a sought-after writer for a diverse and eclectic group of recording artists. After holing up in Portland, Maine with Dave Gutter (Rustic Overtones) for a long songwriting session, Kraz found himself penning material he soon imagined sung in his own voice. 

"I've been writing songs with vocals for other people for a while. With these songs, we initially wrote them thinking others would sing them, so when I was in the studio with different artists, sometimes I'd introduce one of the tracks and they'd record it, but it wouldn't necessarily work out. Eventually, I realized it was because I'd written these songs for myself," said Krasno. 

Ryan Zoidis (Lettuce's Shady Horns, and also a member of Rustic Overtones) configured a minimalist assortment of vintage gear and set up a barn studio space, while Gutter and Krasno hammered out the material. Within a short time, a story arc of love, loss and redemption was developed, as both men were picking up the pieces at the end of relationships. The duo began to shape the vision and sound of the forthcoming album, a tight and calculated assortment of pop songs rich in lyric, melody, with sugary choruses and a strong emotional quotient. The sessions were initially intended to be demos, though it became apparent early on that this session was destined for Blood From a Stone. 

Krasno: "The recording process was fun because we really thought we were just doing writing sessions. There was no pressure. We set up a studio where the Rustic Overtones [Gutter and Ryan Zoidis’ former band] are based up in Maine and brought in a bunch of gear. I contributed some guitars, amps and mics, while Ryan pieced together a tape machine and basically built a studio for this session. Chris St. Hilaire and Stu Mahan from The London Souls came up and helped out putting down the initial tracks. It was great because we were writing the songs and recording at the same time. The band would be putting down parts, while Dave was writing a bridge in the other room. It was like we were in a little song factory for those few days. We came out of that sessions with maybe a dozen songs and the tracks sounded killer. I have to say that Ryan Zoidis and Jon Roods, also in Rustic Overtones, did a great job recording everything. We used minimal gear, but it was done right and that is mostly what you hear on the record." 

It's plain to hear from the opener (and first single) "Waiting On Your Love" that Kraz is serious about this singing business. Where he has been hiding this mojo is beyond me, as his confident swagger is light years beyond the rare glimpses of vocals we have heard from him over the years. Much like his emotive guitar playing, Krasno's voice is a classy instrument wealthy in tone and conviction. The big and greasy first salvo harkens back to the colors and textures found on Lenny Kravitz's masterful Circus, a record that itself marries the contemporary and vintage with style and grace. Throw in a tidbit of late-70's fuzz-box guitar-rock, a smidgen of Tame Impala, and a healthy pour of the bluesman's burden, and you have Blood From A Stone's sonic DNA.